Publications

   Massimo LEONE, PI

Resulting from ERC Project FACETS:

Books

  • Leone, Massimo. 2020. Scevà: Parasemiotiche. Rome: Aracne; 978-88-255-3455-9. OPEN ACCESS
  • Leone, Massimo. 2020. Colpire nel segno: La semiotica dell’irragionevole. Rome: Aracne; ISBN 978-88-255-3381-1. OPEN ACCESS
  • Leone, Massimo, ed. 2020. Volti virali. Turin: FACETS Digital Press; ISBN 979-12-200-6423-1. OPEN ACCESS

Articles

  • Leone, Massimo. Forthcoming. “La classe non è aria: La spazialità della didattica online”, online. E/C, journal of the Italian Association for Semiotic Studies.
  • Leone, Massimo. Forthcoming. “Encarar las fronteras: Rostros, algoritmos, emociones”, forthcoming. In Gherlone, Laura and Puppo, María Lucía, eds. Espacios y emociones: tránsitos, territorializaciones y fronteras en América Latina. Buenos Aires: Catholic University of Argentina.
  • Leone, Massimo. Forthcoming. “The Mediatization of University during the COVID-19 Pandemic”, in Valdettaro, Sara, ed. Forthcoming. Mediatizaciones. Rosario: Centro de estudio de las mediatizaciones.
  • Leone, Massimo. Forthcoming. “On the Face of Food“, forthcoming. In Stano, Simona and Bentley, Amy, eds. Forthcoming. Food for Thought: Nourishment, Culture, Meaning. Dordrecht, the Netherland: Springer. AUTHOR’S LAST DRAFT
  • Leone, Massimo. Forthcoming. “Mirrors, Selfies, and Alephs: A Semiotics of Immobility Travelogues“, forthcoming. Submitted for publication in Signs and Media. AUTHOR’S LAST DRAFT
  • Leone, Massimo. Forthcoming. “Mala cara: Normalidad y alteridad en la percepción y en la representación del rostro humano“, forthcoming. Accepted for publication in SIGNA, Revista de la Associación Española de Semiótica. AUTHOR’S LAST DRAFT
  • Leone, Massimo. Forthcoming. “On Muzzles and Faces: The Semiotic Limits of Visage and Personhood“, forthcoming. In Ponzo, Jenny and Vissio, Gabriele, eds. Personhood, special issue of The International Journal for the Semiotics of Law, forthcoming. AUTHOR’S LAST DRAFT
  • Leone, Massimo and Finol, José Enrique. Forthcoming. “La Corposfera divina: la Trinidad trifacial y tricorporal. Contribución a una TeoSemiótica“. Submitted to Lexia, forthcoming. AUTHOR’S LAST DRAFT
  • Leone, Massimo. 2021. “The Semiotics of the Anti-COVID-19 Mask”, 1-8. Social Semiotics, online; DOI: https://doi.org/10.1080/10350330.2020.1868943. OPEN ACCESS
  • Leone, Massimo. 2020. “I volti paradossali delle religioni”, 465-78. In E/C, journal of the Italian Association for Semiotic Studies, 30 (special issue on “Tra il dire e il fare – Enunciazione: l’immagine e altre forme semiotiche”, eds Maria Cristina Addis e Stefano Jacoviello), online; ISSN: 1970-7452; ISBN: 9788857575711; OPEN ACCESS
  • Leone, Massimo. 2020. “Le masque et la muselière : Variations de l’animalité en temps de pandémie“, i-i 34. In Helbo, André, ed. 2020. Crise sanitaire et marqueurs sémiotiques : La variation, special issue of Degrés : Revue de synthèse à orientation sémiologique, 182-183. Bruxelles: Université Libre de Bruxelles. AUTHOR’S LAST DRAFT
  • Leone, Massimo. 2020. “La caméra et le miroir: la sociabilité à l’ère de l’individualisme numérique“, 81-101. In Driss Ablali and Bertin, Erik, eds. 2020. Les sociabilités numériques. Paris: l’Harmattan; ISBN: 978-2-8061-0542-4 AUTHOR’S LAST DRAFT
  • Leone, Massimo. 2020. “Digital Cosmetics: A Semiotic Study on the Chinese and Global Meaning of the Face in Image Processing Apps“, 551-580. Chinese Semiotic Studies, 16, 4; DOI: doi: https://doi.org/10.1515/css-2020-0030 AUTHOR’S LAST DRAFT
  • Leone, Massimo. 2020. “The Semiotics of the Medical Face Mask: East and West“, 20-40. Signs and Media, 1; Print ISSN: 2590-0315; Online ISSN: 2590-0323; doi:10.1163/25900323-12340004; OPEN ACCESS
  • Leone, Massimo. 2020. “Sémiotique de la pudeur“, 1-16. Signata: Annales des sémiotiques / Annals of Semiotics, 11; ISSN: 2565-7097; ISBN: 9782875622440; OPEN ACCESS
  • Leone, Massimo. 2020. “From Fingers to Faces: Visual Semiotics and Digital Forensics“, Online. International Journal for the Semiotics of Law; ISSN: 09528059; DOI: https://doi.org/10.1007/s11196-020-09766-x; OPEN ACCESS
  • Leone, Massimo. 2020. “Volti virali“, 7-16. In Leone, Massimo, ed. 2020. Volti virali. Turin: FACETS Digital Press; ISBN 979-12-200-6423-1. OPEN ACCESS
  • Leone, Massimo. 2020. “Vedere volti: il gigante nella montagna“, 113-36. In Corgnati, Martina, ed. 2020. Archivi, luoghi, paesaggi digitali: I seminari alla Fondazione Antonio Ratti. Rome: Aracne; ISBN 978-88-255-3241-8; DOI 10. 4399/978882553241811. EDITORIAL VERSION
  • Leone, Massimo. 2020. “Il linguaggio della pandemia“. Interview for University of Turin Web News Service. OPEN ACCESS
  • Leone, Massimo. 2020. “The Limits of Digital Interpretation: Semantic Versus Syntactic Connectedness“, 1-14. The International Journal for the Semiotics of Law, June 3. EDITORIAL VERSION
  • Leone, Massimo. 2020. “Mona Lisa’s Emoji: Digital Civilization and its Discontents“, 1-16. Social Semiotics, 30, 3. LINK TO PUBLISHER
  • Leone, Massimo. 2020. “Non ti conosco, mascherina“. Published in E/C, the Journal of the Italian Association for Semiotic Studies. OPEN ACCESS
  • Leone, Massimo. 2019. “Comunicação digital, ontologia e semiótica“, 129-135. Matrizes 13, 3 (September/December). OPEN ACCESS
  • Leone, Massimo. 2019. “Rostros populares, rostros populistas: Para una semiótica de la efigie heroica (el caso de José Gervasio Artigas)“, 171-9. In Escudero, Lucrecia, Manero, Edgardo, and Corvalán, Juan, eds. 2019. Populismo(s): Intersecciones en las Ciencias Sociales, special issue of DeSignis, journal of the Latin American Federation for Semiotics, 31. OPEN ACCESS
  • Leone, Massimo. 2019. “Semiótica de la selfie“, in L.I.S. – Letra, Imagen, Sonido, IX, 20: 53-68. OPEN ACCESS
  • Leone, Massimo. 2019. “The Singular Countenance: The Visage as Landscape, the Landscape as Visage“, 28-46. Semiotic and Linguistic Studies, 5, 4. OPEN ACCESS
  • Leone, Massimo. 2019. “The Semiotics of the Face in Digital Dating: A Research Direction“, 18-40. In Digital Age in Semiotics and Communication, special issue on “Digital Sex and Dating”, 2. Southeast European Center for Semiotic Studies (Sofia: New Bulgarian University). OPEN ACCESS

Previous Related Works:

Books

  • Leone, Massimo, De Riedmatten, Henri, and Stoichita, Victor I., eds. 2016. Il sistema del velo / Système du voile: Trasparenze e opacità nell’arte moderna e contemporanea / Transparence et opacité dans l’art moderne et contemporain [“I saggi di Lexia”, 19]. Rome: Aracne; ISBN: 978-88-548-8838-8. OPEN ACCESS

Articles

  • Leone, Massimo. 2019. “Précis de sémiotique du visage numérique“, 129-48. In Athari Nikazm, Marzieh, ed. 2019. Sémiotique de la littérature, de l’art et de la culture [“Nouvelles perspectives de la recherché”, 1]. Tehran: Shahid Beheshti University. OPEN ACCESS
  • Leone, Massimo. 2018. “Semiotics of the Selfie: The Glorification of the Present“, 33-48. In Paschalidis, Gregoris, ed. 2018. Semiotics of the Selfie, special issue of Punctum, journal of the Greek Association for Semiotics, 4, 2. OPEN ACCESS
  • Leone, Massimo. 2018. “The Semiotics of the Face in the Digital Era“, 27-29. Perspectives, Journal of RFIEA, the French Network of Institutes of Advanced Studies, 17 (spring). AUTHOR’S LAST DRAFT
  • Leone, Massimo. 2017. “Homo velans: Paradossi del velo nella semiosfera contemporanea“, 27-45. In Ferrara, Marianna, Saggioro, Alessandra, and Viscardi, Giusi, eds. 2015. Le verità del velo [“Alti Studi di Storia intellettuale e delle Religioni”]. Florence: Società Editrice Fiorentina; ISBN: 9788860324276. AUTHOR’S LAST DRAFT
  • Leone, Massimo. 2017. “Socio-sémiotique des « livres à visages »“, online. In Landowski, Eric, ed. 2017. Sémiotique et engagement, special issue of Nouveaux Actes Sémiotiques, the Journal of the French Association for Semiotic Studies, 120. OPEN ACCESS
  • Leone, Massimo, De Riedmatten, Henri, and Stoichita, Victor I., eds. 2016. “Introduzione / Introduction“, 9-14. In Leone, Massimo, De Riedmatten, Henri, and Stoichita, Victor I., eds. 2016. Il sistema del velo / Système du voile: Trasparenze e opacità nell’arte moderna e contemporanea / Transparence et opacité dans l’art moderne et contemporain [“I saggi di Lexia“, 19]. Rome: Aracne; ISBN: 978-88-548-8838-8. OPEN ACCESS
  • Leone, Massimo.2016. “Microanalisi del velo. Verso una semiotica del drappeggio“, 131-51. In Leone, Massimo, De Riedmatten, Henri, and Stoichita, Victor I., eds. 2016. Il sistema del velo / Système du voile: Trasparenze e opacità nell’arte moderna e contemporanea / Transparence et opacité dans l’art moderne et contemporain [“I saggi di Lexia“, 19]. Rome: Aracne; ISBN: 978-88-548-8838-8. OPEN ACCESS

    Antonio SANTANGELO


Resulting from ERC Project FACETS:

Articles

  • Santangelo, Antonio. 2020. “I narcisi mascherati, gli eroi e noi. La parabola del selfie con la mascherina”. In Leone, Massimo, eds. Volti virali. Torino, Italy: Facets Digital Press.
  • Santangelo, Antonio. 2021. “Volti simbolici. Per una teoria sociosemiotica del volto“, 503-520. In Lexia 37-38.
  • Santangelo, Antonio. Forthcoming. “Culturally significant symbolic faces. For a sociosemiotics of the faces on films“. In Signs systems studies.

   Gabriele MARINO

Resulting from ERC Project FACETS:

Articles

  • Marino, Gabriele. Forthcoming. “Cultures of the (masked) face”. Sign Systems Studies (Gramigna, Remo and Leone, Massimo, eds. Cultures of the face).
  • Marino, Gabriele. 2021. “Virus e visus. Il complotto della mascher(in)a”, 21-37. In Leone, Massimo, ed. Volti del complotto. Torino: FACETS Digital Press. OPEN ACCESS.
  • Marino, Gabriele. 2021. “Il ghigno di Aphex e altre maschere. Volti del transumano in musica”, 197-216. Lexia, 37-38 (Leone, Massimo, ed. Volti artificiali/Artificial faces). OPEN ACCESS
  • Marino, Gabriele. 2020. “Facepalm. Semiotica epifacciale della frustrazione”, 67-100. In Leone, Massimo, ed. Volti virali. Torino: FACETS Digital Press. OPEN ACCESS

 

Silvia BARBOTTO

Resulting from ERC Project FACETS:

Articles

  • Barbotto, Silvia. 2020. “Forme di vita.” 101-130. In Leone, Massimo ed. Volti virali. Turin: FACETS Digital Press; ISBN 979-12-200-6423-1.OPEN ACCESS 
  • Barbotto, Silvia (2021) “Artificial face and transhumanism in contemporary art” 261-284. In Leone, Massimo ed. Lexia 37-38. Turin: ARACNE
  • Barbotto, Silvia (2021) “Accenni pre-veridici del complotto nel sistema dell’arte e face studies.”. In Leone, Massimo, ed. Volti del complotto. Torino: FACETS Digital Press. OPEN ACCESS.
  • Barbotto, Silvia Forthcoming. “Art, face and breathscape: from air to cultural texts”. In Leone, Massimo and Gramigna Remo eds. Cultures of the Faces. Special Issue of Sign Systems Studies
  • Barbotto, Silvia. Forthcoming. “Rostros larvados en la estética (matérica) contemporánea.” In Galán, Carmen y Pérez Clotilde eds. Estética y arte: alteridad e identidades oblicuas. Zacatecas: Monografia FELS.

     Gianmarco Thierry GIULIANA

Resulting from ERC Project FACETS:

Articles

  • Giuliana, Gianmarco Thierry. 2021. “Il volto nei giochi digitali: funzioni e valori” 381-420. Lexia, 37-38 (Leone, Massimo, ed. Volti artificiali/Artificial faces).

   Remo GRAMIGNA

Resulting from ERC Project FACETS:

Articles

  • Gramigna, Remo. 2020. “Imagining Others: Deception, Prediction, and Disguised Intentions in Strategic Interactions”, 121–138. Versus. Quaderni di Studi Semiotici, 130 (1) (Pozzo, Alessandra, ed. Semiotica della Dissimulazione / Semiotics of Concealment). PREVIEW
  • Gramigna, Remo; Voto, Cristina. 2020. “Semiotica, prossemica e contagio: il senso delle distanze ai tempi del Covid-19“, 131-150. In Leone, Massimo, ed. Volti virali. Torino: FACETS Digital Press. OPEN ACCESS
  • Gramigna, Remo. 2020. “Le forme della maschera. Aspetti semiotici della manipolazione del volto e della plasticità dell’apparenza“, 121–140. Lexia, 37-38 (Leone, Massimo, ed. Volti artificiali/Artificial faces).
  • Gramigna, Remo. Forthcoming. “The semiotics of likeness. Identity, verisimilitude, and likeness in Augustine”. In Van Boom, Jason and Põder, Thomas-Andres (eds.), Sign, Method, and the Sacred. Berlin: The Gruyter.
  • Gramigna, Remo. 2021. “Note sulle ‘teorie del complotto’. Semiotica ed epistemologia”, 62–83, In Leone, Massimo, ed. Volti del complotto. Torino: FACETS Digital Press.
  • Gramigna, Remo. Forthcoming. “Proxemics and ‘neo-proxemics’: The new meaning of space in the time of COVID-19 pandemic”. Post-Filosofie. Rivista di Pratica Filosofica e Scienze Umane.
  • Gramigna, Remo; Voto, Cristina. Forthcoming. “Three ways of conceiving of faces: recognition, identification, and typification”. Sign Systems Studies.
  • Gramigna, Remo. Forthcoming. “Jakobson revisited: meaningful gestures, head motions and facial expressions as semiotic systems”. Signs and Society.
  • Gramigna, Remo; Leone, Massimo (eds.). Forthcoming. Cultures of the Face. Special Issue. Sign Systems Studies.

   Elsa SORO

Resulting from ERC Project FACETS:

Articles 

  • Soro, Elsa. Forthcoming. “Urban-human faces and the semiotic right to the city: from the URSS propaganda machinery to the participatory city“. Sign Systems Studies (Gramigna, Remo and Leone, Massimo, eds. Cultures of the face).
  • Soro, Elsa, Voto, Cristina. 2021 “Il complotto in bocca” In Leone, Massimo, ed. Volti del complotto. Torino: FACETS Digital Press. OPEN ACCESS.
  • Soro, Elsa. 2021. “Tinder is Facebook: Unravelling Facial (Dia)Logic Seduction Strategies in Online Dating Sites“,  325-341. Lexia, 37-38 (Leone, Massimo, ed. Volti artificiali/Artificial faces)
  • Soro, Elsa. 2020. “Spazi (turistici) contagiati. Guardare oltre“, 151-179 .In Leone, Massimo, ed. Volti virali. Torino: FACETS Digital Press.

   Bruno SURACE

Resulting from ERC Project FACETS:

Articles

  • Surace, Bruno. 2021. “L’altro volto del complotto. Sociosemiotica del “blastaggio” e cultura dell’alterità”, in M. Leone, ed., I volti del complotto, FACETS Digital Press, pp. 104-121.
  • Surace, Bruno. Forthcoming, “Meet the Slender Man. For a semiotic anthropology of featureless face-based narratives“, in M. Leone, ed., [METADATA TO BE DEFINED].
  • Surace, Bruno. 2021. “Semiotica dell’Uncanny Valley”, in M. Leone, a cura di, Lexia 37-38 – Transhuman Visage, Rome: Aracne, pp. 359-380. OPEN ACCESS
  • Surace, Bruno. Forthcoming. “Cultural Semiotics of the Pornographic Face“, in M. Leone and R. Gramigna, Sign System Studies.
  • Surace, Bruno. Forthcoming. El óxido y el fénixSemiótica del rostro transhumano en “el autómata” de Alejandro Pérez”, in deSignis – Publicación de la Federación Latinoamericana de Semiótica, numero monografico El rostro digital latinoamericano, a cura di Massimo Leone, Cristina Voto, José Enrique Finol
  • Surace, Bruno. 2020. “Culture del volto e sociosemiotica della selfie dysmorphia”, in Filosofi(e)Semiotiche, numero monografico Semiotica e politica dei corpi, a cura di Julia Ponzio, 7(2) | OPEN ACCESS
  • Surace, Bruno. 2020. “Il valico violato e il volto orrorifico”, Forthcoming. Fata Morgana. Quadimestrale di cinema e visioni: special issue on “Cornice”. LINK TO THE PUBLISHER
  • Surace, Bruno. 2020. “中国梵高:经由中西电影和文化中面部的再现的跨国文化遗产假设” [“China’s Van Goghs. Hypothesis for a Transnational Cultural Heritage through Representation of Faces in Chinese-Western Cinema and Culture”]. Dongyue Tribune | Dongyue Luncong, forthcoming.
  • Surace, Bruno. 2020. “Volti senza corpi. Sul ruolo del volto digitale nell’era della crisi pandemica”, 181-2016. In Leone, Massimo, ed. 2020. Volti virali. Turin: FACETS Digital Press; ISBN 979-12-200-6423-1. OPEN ACCESS
  • Surace, Bruno. 2019. “Il selfie nel lager. Estetologia di Austerlitz di Sergei Loznitsa”, online. La valle dell’Eden. Quadrimestrale di cinema e audiovisivi, 34; OPEN ACCESS

 

   Marco VIOLA

Resulting from ERC Project FACETS:

Articles

  • Marini, Marco, Ansani, Alessandro, Paglieri, Fabio, Caruana, Fausto, e Viola, Marco. 2021. “The impact of facemasks on emotion recognition, trust attribution and re-identification”. Scientific Reports, 11, 5577, doi: 10.1038/s41598-021-84806-5
  • Viola, Marco. 2021. “On the Face of Food”, forthcoming. In Leone, Massimo, ed. 2021. Volti del complotto. Facets Digital Press, [manca ancora ISBN]
  • Viola, Marco. 2020. “L’altra faccia de/con la mascherina sanitaria”, 207-36. in Leone, Massimo, ed. 2020. Volti virali. Turin: FACETS Digital Press; ISBN 979-12-200-6423-1; OPEN ACCESS
  • Viola, Marco. 2020. “Beyond the Platonic Brain: Facing the Challenge of Individual Differences in Function-Structure Mapping“, Synthèse, 24 September 2020; DOI: https://doi.org/10.1007/s11229-020-02875-x; OPEN ACCESS
  • Cagol, Michele e Viola, Marco. 2020. “La relazione mascherata. Le mascherine chirurgiche e la comunicazione sociale in prospettiva educativa“, online; Formazione & Insegnamento, XVIII, 3; OPEN ACCESS
  • Viola, Marco. 2021. “Le espressioni facciali e i confini della semiotica“, forthcoming. In Leone, Massimo, ed. 2021. Artificial Faces / Volti Artificiali, special issue of Lexia, 37-38. Rome: Aracne.

Previous Related Works:

Books

  • Baggio, Guido, Fausto Caruana, Andrea Parravicini, and Marco Viola, eds. 2020. Emozioni: Da Darwin al pragmatismo (Le Scienze. Storia-teoria-metodo-etica). Turin: Rosenberg & Sellier; ISBN: 9788878857117; PUBLISHER’S WEBSITE

 

   Cristina VOTO

Resulting from ERC Project FACETS:

Articles

  • Gramigna, Remo; Voto, Cristina. 2020. “Semiotica, prossemica e contagio: il senso delle distanze ai tempi del Covid-19“, 131-150. In Leone, Massimo, ed. Volti virali. Torino: FACETS Digital Press
  • Soro, Elsa; Voto, Cristina. 2021. “Il complotto in bocca. Accessori del volto e culture del subvertere“, 84-103. In Leone, Massimo, ed. Volti del complotto. Torino: FACETS Digital Press
  • Voto, Cristina. 2020. “Il volto semiotico dell’identità di genere. Un ritratto instabile tra catacresi e visualizzazione di dati“. 67-75. Filosofi(e)Semiotiche, vol. 7, n. 2 (Ponzio Julia, ed. Semiotica e Politica dei corpi)
  • Voto, Cristina. 2021. “Opacizzare il volto artificiale attraverso le arti digitali: Errori, deformità, materia, intersoggettività“, 285-302.  Lexia, 37-38 (Leone, Massimo, ed. Volti artificiali/Artificial faces)
  • Voto, Cristina. 2021. “Il volto artistico del complotto. Immagini che fracassono“, 138-154. In Leone, Massimo, ed. Volti del complotto. Torino: FACETS Digital Press
  • Acebal, Martín; Voto, Cristina. Forthcoming. “Entre el ojo de Dios y el rostro del fiel: la performatividad de los datos faciales“. In deSignis. El rostro digital latinoamericano
  • Voto, Cristina. Forthcoming. “La sexualidad del rostro: revelación artificial y desprogramación material“. In deSignis. Semiosis y femismo